Tuesday, July 20, 2010

Mani Matters...

It's so hard to write about a man who talks very less. However, I find it very compelling to write about one of the greatest directors in Indian cinema- Mani Ratnam.


Many of Mani Ratnam's movies have been top award winners, most notably Nayagan, Roja and Mouna Ragam. Mani Ratnam is credited with making some of the best movies that have come out in Tamil Cinema. However, he is also known for the dialogues which are so sparingly used in his movies. One thing that stands out his movies is the characterization of his actors. Some of his characters which have been created have become so etched in the memory, that it is very hard to forget Velu Naickar (Kamal Haasan in Nayagan), Surya (Rajini Kanth in Thalapathi), Devaraj (Mamooty in Thalapathi),Anjali (Shamili in Anjali), Karthik (Madhavan in Alaipayuthey), Inba (Madhavan in Ayitha Ezhuthu), Michael Vasanth (Surya in Ayitha Ezhuthu), Gurukant Desai (Abhishek Bachchan in Guru) and quite recently- Veerayya a.k.a. Veera (Vikram in Raavanan).



If there is one man who can make even a stone act it's Mani Ratnam. His performance as a director is overshadowed by the performance of Shamili, who played the role of an autistic child who is loved by her family, detested by her society earlier and later how the same society learns to like her and love her. Such stories do not come every day in Indian cinema and such stories are very very hard to direct.



There have also been some movies of his which have been critically acclaimed such as Bombay, which is based on the Mumbai riots of 1993. One other critically acclaimed movie is Iruvar- featuring Mohanlal and Prakashraj in lead roles, a story loosely based on the lives of Former Tamil Nadu Chief Minister- Mr. M.G.Ramachandran and current Tamil Nadu Chief Minister- Mr. M. Karunanidhi. This movie did not make it big at the box office, however, it is known for the directorial brilliance showcased by Mani Ratnam. Probably one of the finest movies that Indian cinema has ever seen or known, for ages to come.

Some of his other efforts include the movies- Kannathil Muthamittal and Dil Se, which form the terrorism trilogy alongwith Roja. The 3 movies- Roja, Kannathil Muthamittal and Dil Se- focus on 3 of the Sub-continent's most violent areas. Roja- Kashmir, Kannathil- Sri Lanka and Dil Se- North East India. Mani Ratnam is also credited for the blockbuster romantic story- Alaipayuthey and for one other movie treading on political lines- Ayitha Ezhuthu (Yuva in Hindi).



Everyone has a peak and a crest. That goes the same for even Mani Ratnam. The latest position that Mani Ratnam has got himself into is that he has apparently forgotten how audiences receive movies in various parts of the country. Raavan and Raavanan (the tamil version of Raavan) was released simultaneously. Raavanan did better than its Hindi counterpart, thanks to some apparently better acting by Vikram, who plays the "title role". One flaw with the Mani Ratnam of recent times is that he is more intent on creating movies as bi-linguals and tri-linguals, mindless of who acts in the movie and how well a movie is accepted in each region. For example: Raavanan need not have been made as a tri-lingual. It seemed more of an effort to showcase Ash-Abhi on screen, after a good one in Guru. It must also be noted that there was a lot of effort for Raavan- the sets, the stunts, the entire crew which had put in months of hard work to make such a movie must be praised.



Adding to that is the legendary A.R. Rahman - Mani Ratnam combination. It has worked so well in the past but somehow failed to live up to expectations with the Tamil audio of Raavanan. It was so apparent that the lyrics was not given much of importance, as they were just made, or rather forced to suit the music that had already been created for Raavan.

Despite all those recent flaws, Mani Ratnam still remains one of THE BEST directors of all time. I know I am not even in the league, where I can critique his works, but still, as an admirer and an avid movie goer, all I can say is Mani Ratnam stands tall among his peers and contemporaries. Let's just hope his next one is far more successful and probably the best to come from him.

4 comments:

  1. I'd like him to do the nonlinear storyline thingy.. No need of a hit movie., no need of a bi or trilingual. Just one, tamil movie., hit the bullseye of the critics. enuf.

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  2. Great piece of writing. In a crux it brings out the essence of Mani's magic works on screen.

    @Sreenath: Aayitha Ezhuthu itself was pretty non-linear I guess. It had a good confluence of 3 plots at the first scene itself, which repeats 4 times, once from each person's perspective and once in real time.

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  3. Mani is no longer able to create the 'magic'.. thats' what I miss the most... I get thrilled and fall in love every time when I watch 'mouna raagam', Anjali makes me cry even NOW.Bombay makes my eyes wet... Alaipayudhe, well that was magic... KM was the way Mani handled movies... the kids, the paatis , the way the female lead carries herself, that made his movies UNIQUE...Dhalapathi and Nayagan, thats where stars became actors..even SILENCE is beautiful in his movies... sadly not anymore.. the Abhi-Ash factor ruined Guru for me, Raavan/raavanaa, I wasn't even interested what was it about :-/.. wish there is a 'mouna raagam' re-release in theaters NOW ;)

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    1. The main essence that is lacking in Ravanan is crisp dialogues of Sujatha. The dialogues written by Suhasini were rambling and fell flat on its face. Mani has to find another 'Sunatha' to make his movies a success again IMO

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